As promised, here is the full info about SFWA-related events this weekend at Ad Astra. The regional meeting, for SFWA members, will be at Saturday, April 11th, 2015 at 9:30 AM in the Aurora room. Kelly Robson and Alyx Dellamonica have volunteered to bring goodies from Forno Cultura, and I'll make sure there's coffee available.
At 10 in Richmond B will be the informational meeting about SFWA for people who are interested in joining. We'll be talking about our experiences with SFWA and also about the new paths to membership that have been established under the revised bylaws.
Thursday, April 09, 2015
Thursday, March 19, 2015
First, a terrific audio version of "Irregular Verbs" went up at Podcastle last week -- you can check it out here.
Second, my story "Rules of Engagement" from Asimov's will be included in The Year's Best Military SF and Space Opera from Baen. It's going to be full of great stories from people like Charlie Jane Anders, Linda Nagata and, I think, the first time I've ever shared a table of contents with my friend and fellow Ottawan Derek Kunsken.
Finally, after being unable to attend for a couple of years I'll be back at Ad Astra in Toronto this April 10-12. Here's my schedule:
Predicting the Future: How Wrong Are We Going To Be?Time: 9:00 PM - 10:00 PM
With David Stephenson, Eric Choi, Neil Jamieson-Williams
Welcome to "Where's my hovercar?" the panel. Discuss the history of predictions that have failed the test of time and make predictions for the predictions in current SF!
SFWA General MeetingTime: 10:00 AM - 11:00 AM
Room: Richmond B
With Derek Kunsken, Eric Choi, Julie Czerneda
This will be an open informational meeting for writers interested in joining SFWA. Information about the new qualification standards will be provided. (There will also be a SFWA regional meeting for members, time and place TBA.)
Agents of Shield and Agent Carter: The MCU on TVTime: 1:00 PM - 2:00 PM
With David Clink, Dennis Lee
Marvel has proved the superhero team up cross movie continuity not only works, it's one of the biggest hits of our lifetimes. And with the success of Agents of S.H.I.E.L.D. and thew new Agent Carter, and their upcoming Netflix series' Daredevil, A.K.A. Jessica Jones, Iron Fist, Luke Cage, and The Defenders, Marvel has also broken down the Movie-TV barrier showing that ongoing TV shows and an ongoing movie universe don't have to diverge or live in their own canon.
Time Travel and Alternate Histories: Why You Don't Kill HitlerTime: 2:00 PM - 3:00 PM
With Kari Maaren, Mike Rimar, Neil Jamieson-Williams
Discussing the fine details of how changing the past always seems to make things worse.
The Hand Wave of DeftnessTime: 8:00 PM - 9:00 PM
With JD DeLuzio, Peter Prellwitz
A lot of SF and Fantasy features handwaves that make the story possible. How many handwaves will you tolerate? Are any particular handwaves deal-breakers for you? Is there a rule for acceptable levels of handwavium in genre fiction? And is it more interesting to revisit old genres minus the standard handwaves, as Karl Schroeder does in Lockstep?
Orphan Black: Send in the (Canadian) ClonesTime: 9:00 PM - 10:00 PM
With Doug Smith, JD DeLuzio, Kate Heartfield
Filmed right here in Toronto, Orphan Black has become a huge hit. This show about cloning and conspiracies even mentions Scarberia, and correctly. We'll talk about all the stuff we love about it. Did Season 2 fulfill the promise seen in Season 1, and where do we see the various plot-lines headed?
Readings: Doug Smith and Matthew JohnsonTime: 10:00 PM - 11:00 PM
Interactive Fiction: No Coding required!Time: 12:00 PM - 1:00 PM
Room: Markham A
With Alice Black, Charlotte Ashley, Leah Bobet
Thanks to tools like Storium and Twine, the ability to make interactive stories is now available to everyone. Find out how to get started without having to write a single line of code.
Russell T. Davis vs, Stephen Moffat - Female Doctors, Story Arcs and the Death of the DoctorTime: 1:00 PM - 2:00 PM
With David Clink, David Lamb, Timothy Carter
Gloves off - Politely. This is BBC after all.
The Terrorists Have Already Won a Place in Canadian SFTime: 2:00 PM - 3:00 PM
With Denis McGrath, JD DeLuzio
The landmark, but often unrecognized SF series Charlie Jade showed the perspective of both the terrorists and the mainstream. Continuum has been taking this idea further, and has already had three successful seasons. Orphan Black has both heroes and villains who would draw attention from Homeland Security Significantly, all of these shows are produced and filmed outside the United States. Is SF ahead of the curve here, or just riding the wave? And how should popular SF handle contemporary events?
Friday, November 21, 2014
|SFWA Showcase reading|
|"The Future Ain't What It Used to Be" panel|
SFWA wasn't involved in any official programming on Sunday but traffic to our table was still good, and by the end we were out of Writer Beware pamphlets and Bulletins and down to our last copy of each of the anthologies. Then, after many chats with readers, writers, and friends old and new, not to mention witnessing the ChiZine crew descend upon the Piller's booth in a mad frenzy for free lunch meat products, it was time to pack up and head home.
Oh, and Popeye stole my pen.
Thursday, November 13, 2014
Just back from World Fantasy (which was great, by the way) and tomorrow I'm off again for the Toronto International Book Fair. I've been organizing SFWA's participation in collaboration with the invaluable Jaym Gates: we'll have a table at booth 118 in the Marketplace where you can chat with SFWA authors, buy books and/or have them signed and pick up informational materials about SFWA.
We're also having two SFWA-sponsored events:
SFWA Showcase: I'll have the honour of introducing readings by members A.M. Dellamonica, Ed Hoornaert, Robin Riopelle and Karina Sumner-Smith at 5:30 on the Spark Stage. Hang around after to catch a bunch of great CZP authors on the same stage, talking about the legacy of Shirley Jackson and her successors.
SFWA Presents: The Future Ain't What It Used to Be at 5:00 on the Spark Stage. Despite the amazing technological advances of the last fifty years, our world looks very different from the future predicted by science fiction. This panel asks the question of what role SF writers play in predicting and preparing us for the future. Stephanie Bedwell, Julie Czerneda and Douglas Smith will discuss these questions with Andrew Barton moderating.
I'll also be participating in Put That On Your Bookshelf: Quirky Shorts on Saturday at 3:30 on the Discovery Stage alongside D.D. Miller and Shawn Syms, where I'll be reading about 6 minutes' material from Irregular Verbs and Other Stories.
There will be signing sessions after each of these events. If you'd like to meet participating members outside of those sessions, you can come visit the SFWA table at the following times:
7PM to 8PM: Matthew Johnson
8 PM to 10PM: Jaym Gates
10 AM to 12 AM: Suzanne Church
12 AM to 2 PM: Alyx Dellamonica
2PM to 4PM: Ed Hoornaert, Jaym Gates, Matthew Johnson
4PM to 6PM: Eric Choi, Madeline Ashby
6PM to 8PM: Derwin Mak, Matthew Johnson
10 AM to 12 AM: Robin Riopelle, Matthew Johnson
12 AM to 2 PM: Andrew Barton, Matthew Johnson
2PM to 4PM: Douglas Smith, Jaym Gates
4PM to 6PM: Gina Grant
6PM to 8PM: Stephanie Bedwell‐Grime, Jaym Gates
10 AM to 12 AM: Julie Czerneda, Karina Sumner-Smith
12 AM to 2PM: Jaym Gates
2PM to 6 PM: Matthew Johnson
Tuesday, November 11, 2014
As odd as the result may seem to me on Veterans' Day, I like the idea of having two separate holidays. That's because while it's absolutely important to pay tribute to veterans and their service and sacrifice, I often find that comes at the extent of one of the original purposes of the holiday -- back when it was still called Armistice Day -- which was to mark the end of war, to not just honour but also mourn the lives lost, and to loudly say, "Never again."
Like everyone my age, I grew up in the shadow of war, one that hung over our heads for a generation. We need to remember that that war didn't happen, in large part, because we didn't let it happen: because we marched and advocated for peace -- a part of the story that we've mostly allowed to be left out. At the same times as we honour those that fought for us, we also should remember what we won by the wars we didn't fight.
Friday, November 07, 2014
This story is a bit unusual in that it has a single starting point. Some years back I was at a dinner party with some family friends who had recently returned from Vietnam, and they mentioned that while the country had become much more prosperous because of foreign investment in factories there, people were concerned that because wages and the standard of living were rising the people who owned the factories would wind up moving them to someplace where people were willing to work for less. This made me think of the classic SF premise “If this goes on…” and imagine the process finally ending with the factories moved to Hell.
This made me think of the old practice of using convict labour, which was a major issue for the labour movement in the early 20th century. (Unions were opposed to the practice not primarily because it exploited convicts but because it drove down wages.) Most of what I know about labour history I learned from reading and listening to Pete Seeger, so I decided to make the protagonist a folk singer in that mould, which led me – embarrassingly late – to recognize the echoes of Orpheus in the story, and come up with a twist on the don’t-look-back rule that changes it into a story that’s mostly about compassion.
No real Canadian references in this one, though the folk club the main character plays at, Raskolnikov’s, is a goof on the much-missed Ottawa folk club Rasputin’s, where I used to occasionally play gigs with a friend of mine who is an actual musician. I’ve never had any really bad jobs – at least not as bad as the jobs people in the story have – but I have had a few fairly bad one. My experience in telemarketing, in particular, led to what`s probably my favourite line in the book: “It’s always dinnertime when you call from Hell.”
Tuesday, November 04, 2014
Language and Linguistics in Fantasy
Time: 10 a.m. - 11 a.m., Regency E
Panelists: Lawrence M. Schoen (M), C. D. Covington, Matthew Johnson, Sofia Samatar
Description: Foreign languages are often used in fantasy literature to add atmosphere, to show cultural backgrounds, and to bring a richness to the world, as can be seen in Anthony Burgess' A Clockwork Orange and Richard Adams' Watership Down. Some authors rely on real languages, while others, such as Tolkien, have invented entire tongues. Which stories incorporate other languages successfully, and where have authors stumbled, making much of the work incomprehensible?
SFWA Business Meeting
Time:8:30 - 10 a.m., Washington Room